Tag: review

When you see a great film, it’s almost impossible to let it go without noting just how fucking great it is. Now, any film is subject to criticism. The greatest works generally are not without their flaws, because, well, they were produced by a team of humans, and yes, we are all flawed. However, the concept of Black Panther, after seeing it, has left such an impact on my mind so as to overlook or deem less important its flaws as a work of fictional entertainment and to praise it, not simply as a work of popular fiction, but to appraise it intellectually for the concepts it draws out of the psyche upon watching it.

While I loved this film a lot, I don’t just want to explain what was great about it (though I will, inevitably, be doing that throughout), but I’d rather discuss just why this film is important for so many as a definitive reflection of culture and the desire to preserve it in spite of colonial and globalizing influences.

Maybe it’s because I’m reading My Ishmael right now, I don’t know, but I can’t help but relate this film to the struggle that the book explains – that primordial struggle between the survival of the Leavers society in face of the Takers unending march toward advancement – and self-destruction. Some of my criticism will be put into those terms, so to provide definition for those who haven’t read any part of Ishmael by Daniel Quinn, Takers are considered the champions of our modern society, the root of our industrial revolution and, ultimately, capitalism. Leavers are those we consider the “vanquished,” the fringed indigenous societies that have lived off the land for millennia and fought to preserve their own culture and ways of life, which also bespeaks a complete preservation of the land itself which they are native to.

In Black Panther, the Wakandans are the epitome of a Leaver culture, an isolated society struggling to preserve its essence and the secrets its lands possess – especially its abundance of natural resources. It does this by maintaining a closed border and a non-threatening facade. Like so many Leaver societies, it is tempted repeatedly by the seductive promises of the Takers: influence, recognition on a global scale, and (inevitably) endless warfare in order to maintain that position.

The plot thickens when racial relations are added into the picture. Many are forced to question (and the film does this itself as a major plot point which I will try not to spoil) why it is that such a rich, advanced, powerful country would hide away and masquerade as a poor, third-world nation of little status or importance in the world arena. Why would Wakandans turn their backs on the struggles of Africans during the Triangle Passage and slave trade days? The answers, however, become more and more obvious through the internal and external struggles of the protagonist, T’Challa, serenely and sympathetically portrayed by Chadwick Boseman. He fights to maintain a clear head and right the wrongs of his father’s legacy (well, one in particular which rises to haunt him). For the Wakandans, as for most Leavers, the preservation of culture and folkways, of peace and balance, is far more important than the involvement in world affairs that could destroy it.

Pan left, and we see the Takers’ side of things through the eyes of a young, ruthless Erik Killmonger. Cousin of T’Challa, as his name suggests, his goals are to avenge his father while violently seizing the resources of Wakanda in order to establish a new world order. His goal? To bring justice to those affected internationally by the African diaspora, communities impoverished and disenfranchised by the consequences of the slave trade and the systematic racism. Erik knew this struggle growing up as an orphan in Oakland, California. When his father is murdered by T’Challa’s father for betraying his nation and putting their secrets in danger of being compromised, he is left with nothing but a violent city and memories of his father’s vision to bring him to maturity.

One could say that Erik is a bicultural character, the son of an immigrant who never experienced his father’s culture firsthand and therefore was bound to misinterpret it and even intentionally rebel against all forms of traditionalism. Being only partially initiated into the culture of his father, he knew it only on the most superficial level: resources of boundless power and (in his mind) selfishly stark isolationism, a world that does not accept or want him. Erik does not jibe with what he views as a senseless withholding of the powers Wakandans hold which, in turn, contributes his own personal sense of entitlement to take those for himself. He is inevitably affected by the militant visions of his father’s revolution, and rightfully so as they serve an essentially noble, humanitarian cause: bringing justice to the Black community via violent revolutionary means.

If we back up, we can see the references made throughout The Black Panther to the real life consequences of colonization. Africa has been ravaged by the British, the US, and other Western countries for centuries, leading to a complete corruption and fragmentation of identity of some groups within the continent. From diamonds to human beings and the labor they provide, Africa’s riches have very often attracted outside attention and that attention has led to the bloodletting of those tribal societies. In essence, the Takers have done exactly what their name implies throughout African history on a broad scale.

So, let’s imagine that Wakanda did exist. A country with the power to camouflage itself and go unnoticed by the rest of the world while perfectly preserving its cultural pride and way of life. Is there any question that the outcome would be for the country to do just that, even at the expense of its African relatives and displaced descendants? It would be the only country in Africa never to be colonized, which would create a bond so great so as to make such a proud, closed society completely conceivable.

Outside of Africa, the diaspora created a bond of sorts not previously known in Africa – for many, it created a monolith by ripping Africans from their homes and denying them the practice and knowledge of their own native cultures. This is why, while Caucasian Americans generally know their ancestral origins and proudly proclaim themselves x% Irish or y% German, African-American is the term most widely used in the United States, with little recognition of Africa as a diverse, incredibly complex continent of 54 official countries.

Killmonger falls into the African-American, post-diaspora camp with generations worth of anger and little understanding of the complex context in which his relatives live. He sees himself as part of the larger culture of post-slavery pain and disenfranchisement – literally, he lost his kingdom and his father in one fell blow – and one which Wakandans cannot relate to. However he doesn’t know the world he wishes to rule or the urgency the Wakandans feel to protect it at all costs.

And it’s important to note that it isn’t just the Wakandans’ own culture and future they wish to protect. After all, they have no ambitions to impose their culture upon others or to be a ruler in the world arena the way Killmonger does for clear reasons – they are aware of how small they are in terms of population and how big the resources are which they possess. Leavers are now a scattered minority, trying to protect themselves from the corrupting influences of commercialism (this would be why selling Vibranium is so looked down upon by the Wakandans – it is not just a commercial resource, but like the water of the land, it is a part of their very identity as a nation).

On the other hand, Wakandans have seen exactly how far the Taker culture will go to exploit the natural resources of Leaver cultures – from the coal and fruits of South America to mining in Australia and the torture and decimation of Aboriginals. And the movie makes evident that this corruption could lead not only to destruction of the Wakandan way of life but a destruction of the very planet, brought low by endless fighting and the misuse of the mythical Vibranium.

Only through looking inward and outward for guidance can T’Challa overcome this struggle for the future of Wakanda. How will they enter the world arena? He decides by remaining levelheaded and safely grounded in the values of his culture while also keeping an open mind and heart to those struggling around him. He sees the wrong his father did by taking Erik’s father and does everything in his power to right it, even going against the wishes of Erik himself by trying to save him. That is what makes him such a great king: he does not act simply on base emotions of vengeance, anger, and self-preservation (even though he certainly could) but with empathy, even for his enemy, as he meditates and seeks the greater good for all.

Even though Wakanda is a fictional place, it serves as a clear analogical metaphor for so many countries and cultural groups that seek and have sought to stick to their own path in an ever-evolving world. Latin America has also faced this struggle, with many countries having to make the decision to isolate itself, like Paraguay and Venezuela, or become a pawn in the world arena that results in debt and dependence on outsiders for resources that could just as easily be produced on native soil.

Ultimately, Wakanda chooses to “step into the spotlight,” neither as a warring nation seeking to avenge the oppressed and dish out just deserts to the oppressors nor as a pawn for those bigger nations, but as a force of peace striving to protect and provide aid to those disenfranchised outside of its borders. Like a true Leaver society, T’Challa and the Wakandans choose peace over power.

I loved this concept because it goes against the blatant machismo seen in other Superhero movies (and brilliantly expounded on by Adam Chitwood of Collider). The focus is not placed on the number of explosions but on the internal strength and character of T’Challa and the unity of his people which face a serious dilemma brought about by the antagonist’s actions. The way that they choose to handle this struggle shows their love for their culture. Wakanda Forever echoes throughout the movie and reflects the enviable bond of the Wakandans and a deeper desire for unity and preservation of African cultural values across the diaspora.

Also, the characters, costumes, and sets are stunningly gorgeous. The soundtrack bumps with the rhythms of Kendrick Lamar and The Weeknd and other urban wonders and sucks you into the action in a way that sends your pulse bumping along with it. The female cast that brings General Okoye (top warrior and the bodyguard), Princess Shuri (T’Challa’s sister and tech extraordinaire), and Nakia (War Dog spy that manages not to be pigeonholed by “love interest” despite her romantic ties to T’Challa) to life is absolutely superb and reflects the importance given to the role of women and the (hopefully) continuous expansion of female roles in movies, especially for women of color. Pleasantly, they were untouched by the usually glaring filter imposed by the male gaze when dealing with “empowered” female characters. All of the cast was nuanced, individually interesting, and real, while also being really badass.

See this film. See it to witness the analogy of resistance and strength in the face of colonialism. See it to understand the struggles faced by Leaver cultures forced to choose between preserving themselves and reconciling the past with the present by providing a safe haven for its descendants shattered by the consequences of colonialism on community and psyche. See it for…Wakanda, a place of wonders and hope for a new generation.

**Edit: this will probably be updated (think of it as a draft) because I was ridiculously tired this week and writing was not coming easy. Feedback welcomed!